Quotations: Min Tanaka
\ntranslated by Kazue Kobata<\/p>\n
Japanese and English
\n\u79c1\u306f\u5730\u3092\u9019\u3046\u524d\u885b\u3067\u3042\u308b\u3002
\nI am an avant-garde crawling on the ground.<\/p>\n
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\nI dance NOT in the place; I dance the place.<\/p>\n
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\nDance is my daily life.<\/p>\n
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\nDance emerges in the time and place\uff0c and it is something one pursues without an end. It escapes as soon as you define it in definite words.<\/p>\n
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\nI am beginning to feel like calling \u201cdance\u201d the entire reality of my living. It would be greate if I can announce \u201cI am a dance.\u201d<\/p>\n
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\nI would be dead if I don\u2019t dance. That is why it is not a profession for me. I am a farmer by profession.<\/p>\n
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\nIt seems to me it is respect that prompts me to continue to dance. Respect for the fact that human beings began to dance at one point in time.<\/p>\n
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\nWith no doubt dance is an expression concerned with what it is to be human. And it is aspires to be a means available within the institution of the history of the earth and of life.<\/p>\n
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\nMy \u201coff-spring\u201d never ceases popping up here and there\uff0c smiling and changing\uff0c in my living environment. It has such a affirmative posture that I always feel \u201cyou are dancing!\u201d Yes\uff0c dance is something affirmative even when one counters it on a way to one\u2019s death. Then what is dance? Exodus from\uff0c and returning to\uff0c one\u2019s own body? Returning to it with something extra? An expression of a receptacle spilling with those variety of extra factors\uff0c but not abandoning any one of them\u2026. <\/p>\n
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\n\u300c\u79c1\u300d\u3067\u306a\u304f\u3066\u3082\u69cb\u306f\u306a\u3044\u3053\u3068\u3092\u65e5\u3005\u5922\u4e2d\u306b\u306a\u3063\u3066\u3084\u3063\u3066\u3044\u308b\u81ea\u5206\u3068\u3044\u3046\u300c\u4f53\u300d\u3092\u3001\u6642\u306b\u6b8b\u5ff5\u306b\u611b\u304a\u3057\u304f\u601d\u3046\u306e\u3067\u3059\u3002\u3082\u3046\u5358\u8a9e\u306e\u610f\u5473\u3092\u3068\u3073\u3053\u3048\u305f\u300c\u79c1\u300d\u3092\u8e0a\u308a\u305f\u3044\u306e\u3067\u3059\u3002\u305d\u308c\u304c\u3001\u7121\u610f\u8b58\u306e\u6642\u4ee3\u306e\u300c\u79c1\u306e\u5b50\u4f9b\u300d\u306a\u306e\u3067\u3059\u3002
\n\u201cI\u201d is a form without content.
\nSometimes I regret about\uff0c and other times I feel affectionate sympathy with\uff0c my \u201cbody\u201d that is immersed in doing something everyday with no regard with what I am. I want to dance what \u201cI am\u201d beyond the semantic and verbal realm. That is \u201cmy off-spring\u201d derived from my unconscious phase.<\/p>\n
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\nI wish to dance what I am\u2026the non-existent self\u2026that which is not found in my memory.<\/p>\n
\u300c\u4f1d\u7d71\u300d\u3068\u3044\u3046\u306e\u306f\u3001\u6c34\u306e\u3088\u3046\u306a\u3082\u306e\u306a\u3093\u3067\u3059\u3002\u6c34\u306f\u3001\u306a\u304f\u306a\u3089\u306a\u3044\u3051\u308c\u3069\u3001\u5834\u6240\u306b\u3088\u3063\u3066\u59ff\u3092\u3069\u3093\u3069\u3093\u5909\u3048\u3066\u3044\u304d\u307e\u3059\u3088\u306d\u3002\u8e0a\u308a\u3068\u3044\u3046\u3082\u306e\u3082\u4eba\u9593\u304c\u5931\u308f\u305a\u306b\u305a\u3063\u3068\u3084\u3063\u3066\u304d\u305f\u3082\u306e\u3060\u304b\u3089\u3001\u8e0a\u308a\u305d\u306e\u3082\u306e\u304c\u4f1d\u7d71\u306a\u3093\u3067\u3059\u3002
\nTradition is like water. Water does not disappear\uff0c but it transforms as it moves to different places. Dance\uff0c too\uff0c is something we have been practicing\uff0c never losing sight of it. So isn\u2019t dance an intrinsic part of human traditon?<\/p>\n
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\nI\u2019d like to take a position that I dance because I fell in love with it\uff0c rather than because it chose me to become a dancer. I regard myself as someone who decided to live on by attracting dance towards me by all means\uff0c by force.<\/p>\n
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\nWe feel restless\uff0c sometimes excites. What do we mean when we say our heart is dancing? I began dancing because I wanted to trace back hundreds of millions of years of the history of life\u2026in a attempt to find dance prior to its coronation as a branch of art.<\/p>\n
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\nA body that does not move\uff0c a stalemate body\uff0c is full of something. That is the fascination of a non-moving posture.<\/p>\n
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\nI moved here\uff0c to this rural village of Hakushu. I find beautiful those old people when they are just looking at the rice paddy doing nothing. I want to be like that. If I am moved by something\uff0c I want to be the same as that.<\/p>\n
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\nThe relation between the audience and the dancer is that we exchange the premonition that my dance may be found in you too. I think that this kind of exchanging (sharing) is an important element of dance.<\/p>\n
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\nDance is immense to tackle with.<\/p>\n
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\nA decent dance is one who matter-of-factly continues thinking about and carrying on \u201cnature\u201d and \u201cdance\u201d through everyday life. Yes\uff0c matters of the physical world. I may mean that \u201cA dancer is living amidst the human history of dancing.\u201d To practice dance as a live form is not a matter of private life\uff0c but a matter of life as a collective process.<\/p>\n
\u4f5c\u54c1\u3092\u767a\u8868\u3057\u305f\u3053\u3068\u304c\u4e00\u822c\u7684\u306b\u306f\u7d50\u679c\u306b\u306a\u308b\u304c\u3001\u8868\u73fe\u8005\u306b\u3068\u3063\u3066\u767a\u8868\u306f\u3001\u3058\u3064\u306f\u300c\u767a\u8a00\u300d\u3057\u305f\u3068\u3044\u3046\u3053\u3068\u3067\u3042\u3063\u3066\u3001\u59cb\u307e\u308a\u306e\u523b\u5370\u306b\u904e\u304e\u306a\u3044\u3002
\nWhen we present a work of dance\uff0c \u201c a piece\uff0c\u201d it comes to look like a result. But for us\uff0c those who present something publicly\uff0c a performance is a mere statement. It only marks the beginning of a dialog.<\/p>\n
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\n\u5834\u6240\u3092\u7279\u5b9a\u3057\u306a\u3044\u4e16\u754c\u4e2d\u3069\u3053\u306b\u3044\u3063\u3066\u3082\u3001\u305d\u3053\u3067\u59cb\u307e\u308b\u6751\u3060\u3002
\nOut intent is to build a village community of dance.
\nA village that emerges anywhere we go in thiws world.<\/p>\n
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\nFor me dance has been the symbol of despair and courage.<\/p>\n
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\nIn agriculture one can find the anti-modern coming from the past. There you find the concreteness of the present.<\/p>\n
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\nIs this matter\uff0c that which materializes dance\uff0c a gene?<\/p>\n
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\nNature is a form of tradition with a maximum scale.<\/p>\n
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\nWe we move\uff0c we may be telling a lie. Choreography is fundamentally deceptive. I am concerned with how a dancer fills the gap between what he\/she feels in a given moment and how he\/she is moving. <\/p>\n
\u8e0a\u308a\u624b\u3053\u305d\u304c\u307e\u3055\u306b\u8eab\u4f53\u6c17\u8c61\u7684\u3060\u3002\u3044\u3064\u3067\u3082\u4e2d\u5fc3\u3092\u307c\u304b\u3057\u305f\u308a\u3001\u81ea\u5206\u304c\u305d\u3053\u306b\u3044\u306a\u304c\u3089\u81ea\u5206\u306e\u304b\u3089\u3060\u304b\u3089\u5916\u308c\u308b\u3088\u3046\u306a\u3053\u3068\u304c\u7406\u60f3\u3060\u3068\u601d\u3046\u3002
\nA dancer indeed embodies the \u201cbody weather.\u201d An ideal state of a dancer is that his\/her center is blurred\uff0c and that his\/her self is outside of the body.<\/p>\n
\u8e0a\u308a\u306e\u6b74\u53f2\u306e\u4e2d\u3067\u79c1\u306f\u4eca\u3069\u3053\u306b\u7acb\u3063\u3066\u3044\u308b\u3093\u3060\u308d\u3046\u304b\u3002\u3042\u308b\u3044\u306f\u3069\u306e\u90e8\u5206\u3092\u8acb\u3051\u8ca0\u3063\u3066\u3044\u308b\u306e\u304b\u3001\u3069\u306e\u90e8\u5206\u3092\u751f\u304d\u3088\u3046\u3068\u3057\u3066\u308b\u306e\u304b\u3068\u3044\u3046\u30dd\u30b8\u30b7\u30e7\u30f3\u306e\u8a8d\u8b58\u304c\u3082\u306e\u3059\u3054\u304f\u5927\u4e8b\u3060\u3002
\nWhere do U stand within the history of dance? Or which part of it do I bear? Which part do I represent as I live through it? My position in this regard is important for me<\/p>\n
\u821e\u8e0a\u3068\u3044\u3046\u3082\u306e\u304c\u4e00\u4f53\u3069\u3053\u307e\u3067\u4eba\u9593\u793e\u4f1a\u306b\u95a2\u308f\u3063\u3066\u3044\u308b\u306e\u304b\u3068\u3044\u3046\u554f\u984c\u306f\u3001\u50d5\u306b\u306f\u81ea\u5206\u306e\u8e0a\u308a\u3092\u307e\u3063\u3068\u3046\u3059\u308b\u305f\u3081\u306b\u3082\u5fc5\u8981\u306a\u3053\u3068\u3060\u3002\u305d\u308c\u306f\u4e16\u306e\u4e2d\u306e\u3053\u308c\u304b\u3089\u8e0a\u308a\u304c\u597d\u304d\u306b\u306a\u3063\u3066\u3044\u304f\u4eba\u306e\u70ba\u306b\u3082\u5927\u4e8b\u306a\u3082\u306e\u3060\u308d\u3046\u3002
\nIn order for me to thoroughly take responsibility as a dancer\uff0c it is essential to discern to what extent dance is involved with the human society. The question is probably significant for those who may become interested in dance in the future.<\/p>\n
\u3044\u307e\u4e16\u754c\u4e2d\u3067\u300c\u5373\u8208\u300d\u3063\u3066\u3044\u3046\u3082\u306e\u304c\u4e00\u3064\u306e\u8868\u73fe\u306e\u65b9\u6cd5\u3068\u3044\u3046\u2026\u2026\u3044\u3084\u3001\u307e\u3055\u306b\u6587\u5b57\u901a\u308a\u8868\u73fe\u306e\u4ed5\u65b9\u306a\u3093\u3060\u3051\u3069\u3082\u3001\u751f\u304d\u3066\u3044\u304f\u306d\u3002\u3067\u3082\u821e\u53f0\u4e0a\u306e\u8868\u73fe\u624b\u6bb5\u30fb\u6280\u6cd5\u306b\u306a\u3063\u3066\u3044\u308b\u306e\u306f\u5927\u304d\u306a\u7591\u554f\u3067\u3059\u306d\u3002
\nImprovising is a manner of expressing\uff0c of living. And I am skeptical about the current fashion that merely regards it as a mode or technical method of artistic expression.<\/p>\n
\u821e\u53f0\u4e0a\u3067\u884c\u308f\u308c\u3066\u3044\u308b\u3053\u3068\u306f\u3001\u305d\u306e\u524d\u3068\u5f8c\u304b\u3089\u59cb\u307e\u3063\u3066\u308b\u308f\u3051\u3058\u3083\u306a\u3044\u3067\u3059\u304b\u3002\u305d\u3053\u306b\u6c17\u4ed8\u304b\u306a\u3044\u304b\u3089\u523a\u6fc0\u306e\u306a\u3044\u8e0a\u308a\u304c\u591a\u304f\u306a\u3063\u3066\u3057\u307e\u3063\u3066\u3044\u308b\u3002
\nWhat one does on stage has its beginning and consequence before and after the time you are on stage. As so many dancers don\u2019t realize that\uff0c boring dance is increasing.\t\u3000<\/p>\n
\u8e0a\u308a\u306f\u3072\u305f\u3059\u3089\u611f\u899a\u306e\u4e16\u754c\u306b\u3042\u308a\u3001\u6b21\u7b2c\u306b\u8a00\u8449\u3067\u7406\u89e3\u3055\u308c\u308b\u4e16\u754c\u306b\u8fd1\u3065\u3044\u3066\u3044\u304f\u3002\u305d\u3057\u3066\u6700\u7d42\u7684\u306b\u306f\u8a00\u8449\u3067\u8aac\u660e\u3067\u304d\u306a\u3044\u3082\u306e\u3001\u611f\u899a\u306b\u623b\u308b\u3002\u4e00\u65b9\u3001\u6f14\u5287\u306f\u8a00\u8449\u306e\u4e16\u754c\u304b\u3089\u59cb\u307e\u3063\u3066\u611f\u899a\u306b\u8fd1\u3065\u304f\u304c\u3001\u5fc5\u305a\u8a00\u8449\u306b\u623b\u3063\u3066\u3044\u304f\u3002\u6f14\u5287\u306f\u5177\u4f53\u7684\u3001\u8e0a\u308a\u306f\u62bd\u8c61\u7684\u306a\u4e16\u754c\u3002\u5b8c\u5168\u306b\u305d\u3053\u3067\u5206\u304b\u308c\u308b\u3002
\nDance resides in the realm of senses by all means; and it gets increasingly closer to the domain of verbal appreciation. Ultimately it culminates back in what is indescribable in words\uff0c the sensorial world. On the contrary\uff0c theatrical art begins in the verbal world\uff0c and approaches the senses. And it returns to words. Theater is a concrete\uff0c and dance is an abstract world. They are entirely different in this sense.<\/p>\n
\u3055\u3066\u3001\u79c1\u305f\u3061\u304c\u821e\u8e0a\u8cc7\u6e90\u7814\u7a76\u6240\u3068\u540d\u4ed8\u3051\u3088\u3046\u3068\u3059\u308b\u3082\u306e\u306f\u3001\u751f\u547d\u306e\u55b6\u307f\u306e\u5927\u534a\u306b\u3082\u53ca\u3076\u304b\u3068\u601d\u308f\u308c\u307e\u3059\u3002\u821e\u8e0a\u8cc7\u6e90\u306b\u7814\u7a76\u6240\u3092\u4ed8\u5c5e\u3055\u305b\u307e\u3059\u3001\u3059\u308b\u3068\u5834\u6240\u304c\u751f\u307e\u308c\u3001\u76ee\u7684\u304c\u767a\u751f\u3057\u307e\u3059\u3002\u3053\u308c\u3089\u3082\u3068\u3066\u3082\u304a\u3069\u308a\u7684\u3067\u3059\u3002\u79c1\u305f\u3061\u3001\u821e\u8e0a\u8cc7\u6e90\u7814\u7a76\u6240\u304c\u52d5\u304d\u59cb\u3081\u3066\u4e94\u5e74\u3001\u751f\u547d\u306e\u55b6\u307f\u306e\u4e2d\u304b\u3089\u304a\u3069\u308a\u304c\u751f\u307e\u308c\u308b\u77ac\u9593\u3092\u6355\u3089\u3048\u53ce\u96c6\u3059\u308b\u559c\u3073\u3092\u3001\u6c38\u4e45\u306e\u3082\u306e \u306b\u3057\u305f\u3044\u3068\u8003\u3048\u3066\u3044\u307e\u3059\u3002\u3082\u3061\u308d\u3093\u82b8\u8853\u7684\u821e\u8e0a\u306e\u884c\u304f\u672b\u306b\u3001\u8cc7\u6e90\u3068\u3057\u3066\u306e\u821e\u8e0a\u304c\u5927\u304d\u306a\u52a9\u6210\u3092\u3082\u305f\u3089\u3059\u3053\u3068\u3092\u4fe1\u3058\u3066\u7591\u308f\u306a\u3044\u306e\u3067\u3042\u308a\u307e\u3059\u3002
\nThe organization we want to call The Dance Resources on Earth is probably concerned with most of our endeavors as living organisms. There will be this deliberate group dedicated to the collection\uff0c documentation and study of dance resources. Then there will be a place\uff0c a forum\uff0c ad a purpose. This process is very much like that of dance. Five years have passed since we started the group. We want to keep finding the joy of capturing the genetic moment of dance coming to the fore. We certainly believe in the contribution of dance as a natural resource to the future of dance as a form of art.
\n\u3000<\/p>\n
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\n\u300e\u821e\u8e0a\u8cc7\u6e90\u300f\u8003\u304b\u3089\u629c\u7c8b
\n\u79c1\u306e\u4f53\u5185\u306e\u907a\u4f1d\u5b50\u305f\u3061\u306b\u3001\u5373\u523b\u56fd\u969b\u4f1a\u8b70\u306e\u958b\u50ac\u3092\u8981\u8acb\u3057\u305f\u3044\u6c17\u5206\u306a\u306e\u3067\u3059\u3002
\n\u8a71\u984c\u306f\u300c\u4eba\u306f\u3044\u3064\u3001\u3069\u306e\u3088\u3046\u306b\u3057\u3066\u304a\u3069\u308a\u3092\u59cb\u3081\u305f\u306e\u304b\uff1f\u300d\u4f1a\u8b70\u5834\u3067\u306f\u6642\u9593\u306e\u898f\u5236\u306a\u3057\u306b\u3001\u611f\u60c5\u30fb\u5171\u540c\u4f53\u30fb\u751f\u6b7b\u30fb\u610f\u8b58\u30fb\u52c7\u6c17\u306a\u3069\u306a\u3069\u3068\u3001\u304a\u3069\u308a\u306e\u95a2\u4fc2\u304c\u6c38\u4e45\u306b\u8a9e\u308a\u5408\u308f \u308c\u308b\u3067\u3057\u3087\u3046\u3002\u304a\u3069\u308a\u306e\u53ef\u8996\u4e0d\u53ef\u8996\u306e\u90e8\u5206\u306b\u3064\u3044\u3066\u3082\u8b70\u8ad6\u304c\u308f\u304d\u304a\u3053\u308b\u306e\u3067\u3057\u3087\u3046\u3002 \u300c\u304a\u3069\u308a\u7c92\u5b50\u300d\u306a\u308b\u3082\u306e\u306e\u5b58\u5728\u306b\u3064\u3044\u3066\u3082\u6ce8\u76ee\u3092\u96c6\u3081\u308b\u304b\u3082\u77e5\u308c\u307e\u305b\u3093\u3002\u907a\u4f1d\u5b50\u306b\u3088\u308b\u821e\u8e0a\u5b66\u4f1a\u3082\u767a\u8db3\u3057\u307e\u3059\u2026\u2026\u3002
\nFrom On \u201cDance as a natural Resource\u201d
\nI feel like calling at any moment an international conference of genes living within my body. The subject matter to discuss would be \u201cwhen and how did human beings start dancing to begin with?\u201d With no time limitation\uff0c debates would go on endlessly about emotion\uff0c sensation\uff0c community\uff0c life and death\uff0c consciousness\uff0c courage\uff0c so on and so forth about everything relevant to dance. There will be an argument also on the invisible part of dance. People may be deeply intrigued by the idea and probably existence of what you may call \u201cdance particles.\u201d A Society of Dance may be organized by a group of genes\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"
Quotations: Min Tanaka translated by Kazue Kobata Japanese and English \u79c1\u306f\u5730\u3092\u9019\u3046\u524d\u885b\u3067\u3042\u308b\u3002 I am an avant-garde crawli […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":40,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45"}],"version-history":[{"count":1,"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/45\/revisions"}],"predecessor-version":[{"id":46,"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/45\/revisions\/46"}],"up":[{"embeddable":true,"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/40"}],"wp:attachment":[{"href":"https:\/\/www.min-tanaka.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}